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BACH - BARTÓK French Suite No.5 & Partita BWV 826 / Out of Doors & Suite Op.14 Julien Libeer

1h02
1 CD
HMM902651
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Sounds that illuminate
Beyond their lifelong interest in keyboard instruments of all types (organ, harpsichord, and clavichord in the case of Bach; modern piano as a percussion instrument in the case of Bartók), other shared concerns connect these two giants of classical music who at first glance appear to be polar opposites. The juxtaposition of the two composers is not the least appeal of this album which also marks Julien Libeer’s first project for harmonia mundi: this ardent advocate of a clear and direct approach deftly combines keen intuition with a sense of formal rigour to bring four masterful examples of the ‘suite’ genre into a dialogue spanning across the centuries that set them apart.

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Contents


JOHANN SEBASTIAN BACH [1685-1750]
French Suite No. 5, BWV 816
G Major / Sol majeur / G-Dur

· I. Allemande (3'10)
· II. Courante (1'40)
· III. Sarabande (4'40)
· IV. Gavotte (1'07)
· V. Bourrée (1'25)
· VI. Loure (2'19)
· VII. Gigue (3'17)
BÉLA BARTÓK [1881-1945]
Out of Doors, Sz. 81
· I. With drums and pipes. Pesante (1'53)
· II. Barcarolla. Andante (2'45)
· III. Musettes. Moderato (3'10)
· IV. The Night's music. Lento (5'21)
· V. The Chase. Presto (2'20)
JOHANN SEBASTIAN BACH [1685-1750]
Partita, BWV 826
C Minor / ut mineur / c-Moll

· I. Sinfonia (4'39)
· II. Allemande (4'31)
· III. Courante (2'37)
· IV. Sarabande (3'39)
· V. Rondeaux (1'17)
· VI. Capriccio (3'19)
BÉLA BARTÓK [1881-1945]
Suite for Piano, Op. 14
· I. Allegretto (2'06)
· II. Scherzo (1'56)
· III. Allegro molto (2'12)
· IV. Sostenuto (2'50)

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