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HECTOR BERLIOZ Harold en Italie. Les Nuits d'été Tabea Zimmermann, viola. Stéphane Degout, baritone. Les Siècles, François-Xavier Roth

1h03
1 CD
HMM902634
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Berlioz the pioneer
A new aesthetic calls for new forms: such is the challenge the composer set for himself in the two works presented here. In Les Nuits d’été, Berlioz pioneered, well before Mahler and Ravel, a song cycle for voice and orchestra. In Harold in Italy, scored for large orchestra and solo viola, he experimented with the symphonic genre. These period-instrument performances by Les Siècles, led by François-Xavier Roth, with violist Tabea Zimmermann, also feature Stéphane Degout in the vocal cycle, heard here in the composer’s own version for baritone. File under: out of the ordinary.
Tabea Zimmermann plays a viola by Paolo Maggini, Brescia 1610<

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HECTOR BERLIOZ [1803-1869]
Harold en Italie, Op. 16, H. 68
· 1. Harold aux montagnes. Scènes de mélancolie, de bonheur et de joie.
Adagio (15'10)
· 2. Marche de pèlerins chantant la prière du soir.
Allegretto (7'48)
· 3. Sérénade d'un montagnard des Abbruzes à sa maîtresse.
Allegro assai (5'57)
· 4. Orgie de brigands. Souvenirs des scènes précédentes.
Allegro frenetico (11'34)
Les Nuits d'été, Op. 7, H. 81B
· 1. Villanelle (2'10)
· 2. Le Spectre de la rose (6'36)
· 3. Sur les lagunes, Lamento (5'41)
· 4. Absence (5'42)
· 5. Au cimetière, Clair de lune (5'37)
· 6. L'Île inconnue (3'33)

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