Anthology
"Many are the Wonders": Renaissance and 21st century English choral works
ORA Singers, Suzi Digby
1h10
1 CD
HMM905284
Apple Music
The opening years of the twenty first century can justifiably lay claim to being a new golden age for choral music. I wanted to embark on a series of recordings to reflect this and to showcase some of today’s best contemporary composers, placing their works in direct relief with masterpieces from previous ages. This recording, the second in our ‘Renaissance gems and their reflections’ series, looks at the music of Thomas Tallis, and we are delighted to have commissioned a number of talented composers to offer their personal reflections on his works. I hope that these new pieces, like Tallis’ originals, will find their way into the repertoire of other vocal groups, delightening audiences both now and in the future.
THOMAS TALLIS [c.1505-1585]
Archbishop Parker's Psalter
· I. Man Blest No Doubt (1'01)
· II. Let God Arise (0'54)THOMAS TALLIS [c.1505-1585]
· O sacrum convivium (3'24)STEVEN STUCKY
· O sacrum convivium (3'03)THOMAS TALLIS
· If Ye Love Me (1'56)FRANK FERKO
· Reflection on Thomas Tallis' If Ye Love Me (2'36)THOMAS TALLIS [c.1505-1585]
Archbishop Parker's Psalter
· III. Why fum'th in sight (0'58)
· IV. O come in one to praise the Lord (1'09)
· Videte Miraculum (9'52)ALLAIN RICHARD
· Videte Miraculum (10'35)THOMAS TALLIS [c.1505-1585]
· Loquebantur (4'00)KEN BURTON
· Many are the wonders (4'43)THOMAS TALLIS [c.1505-1585]
Archbishop Parker's Psalter
· V. E'en like the hunted hind (1'00)
· VI. Expend, O Lord, my plaint (1'16)
· O nata lux (1'56)HARRY ESCOTT
· O Light of Light (2'29)THOMAS TALLIS [c.1505-1585]
· Te Lucis ante terminum (2'02)ALEX ROTH
· Night Prayer (3'02)THOMAS TALLIS [c.1505-1585]
Archbishop Parker's Psalter
· VII. Why brag'st in malice high (0'46)
· VIII. God grant with grace (1'12)KERRY ANDREW
· Archbishop Parker's Psalm 150 (4'19)THOMAS TALLIS [c.1505-1585]
· Ordinal. Come Holy Ghost (0'37)ROBERT CHILCOTT
· Tallis Canon (2'32)THOMAS TALLIS [c.1505-1585]
· Appendix. Why fum'th in sight (4'51)