The sublime reflection of a human being facing the end of life and what comes afterwards, Mozart’s Requiem reaches beyond the realm of music to attain universal resonance. Raphaël Pichon’s interpretation of this testamentary work, nurtured by a seminal experience with stage director Romeo Castellucci and punctuated by earlier sacred pieces of Mozart, is overwhelmingly moving.
Wolfgang Amadeus Mozart (1756-1791)
· Plainchant: Antienne - In paradisum (anon.) (1'48)
· Ach, zu kurz ist unsers Lebenslauf K.228 (515b) - Canon a 4 (1'23)
· Miserere mei (originally Kyrie) K.90 (3'17)Requiem in D minor K.626
Completion Franz Xaver Süssmayer (1766-1803)
· I. Introitus (4'56)
· II. Kyrie (2'16)
· Ne pulvis et cinis K.122 (3'44)Completion Franz Xaver Süssmayer (1766-1803)
III. Sequentia I
· Dies iræ (1'35)
· Tuba mirum (2'43)
· Rex tremendæ (2'03)· Solfeggio in F major K.393/2 (orch. Vincent Manac’h) (3'08)RequiemCompletion Franz Xaver Süssmayer (1766-1803)
III. Sequentia II
· Recordare (4'11)
· Confutatis (2'29)
· Lacrimosa & Amen (appendix) K. 626 (3'58)RequiemCompletion Franz Xaver Süssmayer (1766-1803)
IV. Offertorium I
· Domine Jesu Christe (3'12)
· Quis te comprehendat K. Anh.110 (5'31)RequiemCompletion Franz Xaver Süssmayer (1766-1803)
IV. Offertorium
· Hostias (4'16)
· V. Sanctus (1'31)
· VI. Benedictus (4'33)· O Gottes Lamm K.343/1 (4'17)RequiemCompletion Franz Xaver Süssmayer (1766-1803)
· VII. Agnus Dei (3'17)
· VIII. Communio (5'19)
· Plainchant: Antienne - In paradisum (anon.) (3'24)
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