IGOR STRAVINSKY
Pulcinella (Suite). Dumbarton Oaks Concerto
Orquestra de Cambra Teatre Lliure, Josep Pons
0h51
Digital
HMA1951609
Apple Music
At the source of an idyllic past.
Originally conceived for the Ballets Russes, Pulcinella asserted itself in its definitive form as the very epitome of Stravinskyan neo-classicism. Perhaps 'neo-baroque' would be more accurate, since, inspired by the 18th century music (Pergolesi in particular), this apparently frivolous work concealed beneath the mask of the pastiche - not unlike Picasso's Arlequin - the beginning of a fundamentally new creative period. This was to reach its peak in the Dumbarton Oaks Concerto...
This title was released for the first time in1997.
IGOR STRAVINSKY [1882-1971]
Pulcinella, suite de ballet (1922, version révisée de 1949)
· I. Sinfonia (ouverture) (1'58)
· II. Serenata (2'55)
· III. Scherzino - Allegro - Andantino (4'51)
· IV. Tarantella (2'07)
· V. Toccata (0'55)
· VI. Gavotta con due Variazioni (4'47)
· VII. Vivo (1'28)
· VIII. Minuetto (2'02)
· Finale (2'00)
Deux suites pour petit orchestreTwo suites for chamber orchestra
Zwei Suiten für Kammerorchester
· Suite n°1 (1917-25)
Andante (1'07)
· Napolitana (1'17)
· Española (1'08)
· Balalaïka (1'01)
· Suite n°2 (1915)
Marche (1'30)
· Valse (2'10)
· Polka (1'14)
· Galop (1'51)
Concerto "Dumbarton Oaks" (1939) en Mi bémol majeur / E flat major / Es-dur
· Tempo giusto (4'52)
· Allegretto (5'45)
· Con moto (5'57)
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